I've never been able to decide whether writing is more demanding than photography or the other way around. Every few years I convince myself I have the answer, and then something happens that proves me wrong.

The Perseid meteor shower is often the most spectacular meteor shower in the Northern Hemisphere due to frequency as well as its appearance in summer. 2026 is special because the peak occurs during the darkest possible skies. Here's how to photograph it!

If you shoot long exposures at night, you know the frustration — your intervalometer dangling from your camera, swinging in the breeze, pulling on the cable. Not good. The Ruggard RTC-10 Timer-Remote Case (Standard) fixes that with a padded holder that straps directly to your tripod leg. It works great, with one Velcro gripe we'll get to shortly.

Warm highlights, cool shadows, and a foreground green cast that has to go: this is the color puzzle behind most sunset landscapes. Getting those tones to feel intentional rather than accidental is the difference between a flat raw file and an image people stop scrolling to look at.

A 12-20mm zoom at f/2.8 sits right in the sweet spot for astrophotography, wide enough to swallow the Milky Way and fast enough to pull in faint starlight. Most shooters reach for a prime when the sky gets dark, which makes a zoom that can keep pace worth a real look.

Astronomers have directly imaged the faintest exoplanet ever seen from Earth, a gas giant called Beta Pictoris d — and it turns out the planet had been sitting in telescope archives for more than 11 years before anyone managed to pull it out of the noise.

Strip Ansel Adams of his name, his reputation, and his place in history, then hand him a fresh account with zero followers. How many likes does "Monolith, the Face of Half Dome" actually pull? That thought experiment cuts straight into how you judge your own images and whether follower counts have anything to do with artistic worth.

Camera Raw quietly gained a set of tools that fix a problem you have probably fought with for years: masks that stop short of the leaves, the hair, or the edge where you actually need them. Two new sliders now let you push a mask outward or pull it back, and they work on the specific mask types you reach for most.

The U.S. Copyright Office has officially started the clock on a significant fee change that will impact how photographers protect their work. On July 14, 2026, the office submitted its final proposed fee schedule to Congress. This triggers a statutory 120-day review period, meaning that unless Congress intervenes, a new set of higher fees will automatically go into effect in mid-November 2026. For working pros and serious enthusiasts who regularly register their images, this policy update shifts the baseline economics of their practices.

If you have spent any time reading about camera settings, you have heard the advice to keep your ISO as low as possible for the cleanest image. The lowest normal ISO setting your sensor is built around has a name: base ISO. Understanding what it is, and why files shot there look better than files shot anywhere else, is one of those small pieces of knowledge that quietly improves every photo you take. It explains why your daylight shots look so crisp, why your dim indoor shots get grainy, and when it is worth chasing the lowest number versus letting it climb.

For my photo tour in Iceland, I wanted to go lightweight. I had my eye on the new Think Tank FocusPoint 30L because it just looks great. Amazingly, my gear did fit in this compact photo backpack, and I took it with me to Iceland. Let me tell you about my experiences.

About six months ago, PolarPro sent me their new Portra filter. On their website it states, "Inspired by the look and feel of Portra 400 film… the Portra Filter blends color tone, diffusion, and glare reduction into one optical filter for a finished look." Hmm, sorry, it looks nothing like Portra 400 film. And I hadn't even put the filter on my camera at this point. I simply looked at the sample photos on their website, and thought about all the photos I've shot on Portra film.

"Adolescence" pulled off something most productions only pretend to do: four episodes, each filmed as a single continuous take, no stitched cuts hiding in the shadows. The internet split over whether the show cheated, and the answer sits right in the gear the crew chose to carry.

Nikon sells three different 35mm prime lenses for the Z mount, and picking between them comes down to details that specs alone won't reveal. The gap between the Nikon 35mm f/1.4 and the Nikon 35mm f/1.8 S is smaller than the labels suggest.

Movie stunts that look impossible almost always come down to a physical problem someone had to solve, whether that meant building a 330 ft miniature bridge or strapping an actor to a helicopter at 75 mph. 

One of the strangest things about photography isn't the endless debate over cameras, editing software, or artificial intelligence. It is the quiet assumption that mastering one photographic discipline somehow grants authority over every other one.

Walk past a certain bus stop near Meta's London headquarters and you see a glossy campaign shot: Kylie Jenner in a pair of the company's smart glasses. Step to the side and the poster becomes a black-and-white X-ray of her face under the words "We're always watching."

Flat light gets a bad reputation. The moment the sky turns from blue to a sheet of gray cloud, a lot of photographers pack up, assuming the good light is gone for the day. That instinct is backward. Soft, flat, overcast light is one of the most forgiving and flattering kinds of natural light there is, and the only reason it disappoints people is that they treat it as a finished product rather than a starting point. Learn a few simple ways to shape it, and a dull gray day becomes some of the easiest portrait light you will ever work with. This is about natural light specifically: no strobes, no flash, just the daylight you already have and a couple of inexpensive tools to bend it your way.

Netflix just spent real engineering time making its biggest show look worse, on purpose. It's not the only surprising analog bet this summer — Christopher Nolan shot a $250 million blockbuster entirely on physical film — and neither is nostalgia. It's a signal about what audiences want that every photographer and videographer should notice.

Travel is one of the best ways to learn history, to experience new foods and cultures, and to find inspiration. But when a photographer travels for personal fulfillment, it can be tricky to balance the "photographer" and the person.

An 800mm equivalent lens that fits in a hand and a 1,000mm equivalent monster share the same day out on the Welsh coast. That kind of reach used to mean carrying gear you could barely lift, and the shift toward smaller sensors covering it is one of the more interesting developments in wildlife photography right now.