A 24mm lens at f/8 has an opening 3.00 mm across. A 600mm lens at f/8 has one 75 mm across, 25 times wider, and it draws a diffraction pattern on the sky 25 times finer. Both land a blur spot on your sensor exactly 10.7 microns wide.

As part of its ongoing efforts to make photo editing as quick and easy as possible, Adobe is introducing Prompt to Edit in Lightroom. This feature lets you restore an old photograph by selecting one of Adobe’s example prompts or creating your own prompt. You can sharpen out-of-focus images, colorize black-and-white photographs, and adjust the color of photos with a dramatic color cast.

A wide angle lens pointed at a mountain range can make the peaks look small and far away, which is the opposite of what most people expect when they carry one into big terrain. Getting around that problem by getting close to something in front of you and building the frame back toward the peak is what turns a flat record of a view into an image that pulls the eye through it.

A single speedlight sitting in your camera's hot shoe can produce portrait light that looks like it came from a big window or a softbox, as long as you know where to point it. Most people never get there, because direct flash looks harsh and the usual fix is a pile of domes, diffusers, and brackets that can cost more than the flash itself.

Adobe now meters many of Photoshop's AI tools against a monthly pool of generative credits, so knowing which features draw from that pool directly affects how freely you can edit. Many of the program's most useful time-savers have nothing to do with AI at all, and they sit on panels you already open every day.

Viltrox's AF 16mm f/1.8 is now available for L-mount, bringing a bright ultra-wide with a small info screen on its barrel to Panasonic, Leica, and Sigma bodies at a list price of $580. If you shoot night skies, tight interiors, or dim venues, a fast autofocus 16mm at that price gives you another way to gather light without leaning so hard on ISO.

In 1896, a woman settled into a chair in front of the fireplace in her Washington, D.C. studio, hiked her petticoats above the ankle, crossed her legs like a man, and aimed her own camera at herself. One hand held a lit cigarette. The other cradled a stein of beer.

When this tripod came out years ago, so many of us wanted it to the point that a lot of us forced it to be useful in situations where it wasn’t the best fit. Now that we’ve seen the brand’s other tripod offerings, where it fits best is more obvious.

The Nikon ZR puts RED's raw video format, 32-bit float audio, and a 4-inch screen into a body with no viewfinder, so most of the conversation around it stays on codecs and cinema workflows. If you shoot both stills and video, the more useful question is whether it's a camera you'd pick up on a day when there's nothing to film.

You get to a beach at sunrise, the light finally shows up, and nearly every frame you take is the widest view your lens allows. That habit leaves most of a location unphotographed, and it pins the whole morning on one composition and one patch of sky.

Nikon now has three autofocus f/1.2 primes for its Z mount, a 35mm, a 50mm, and an 85mm, and each one weighs more than a kilogram. If you shoot for yourself instead of for clients, you have to decide whether any of them earns a place in a bag you actually carry every day.

A couple finds your portfolio, likes what they see, fills out your contact form, and then waits to hear whether you're free on their date and what you charge. Every hour of that wait gives them time to open another tab, and most wedding inquiry setups make some kind of wait unavoidable.

At a fashionable beach resort in the 1890s, a posted notice reportedly warned bathers about a brand-new menace with blunt words: "PEOPLE ARE FORBIDDEN TO USE THEIR KODAKS ON THE BEACH." Around the same stretch of years, hand cameras were barred for a time from the Washington Monument.

A camera strap is just a camera strap. Right? Peak Design changed that with a Kickstarter back in 2014, and having only undergone one or two subtle changes over the years, it still sets the standard. 

Laowa's ACRIS 35mm f/2.8 1X Macro APO reaches 1:1 magnification at a focal length that keeps the background, the sky, and the setting in the frame while your subject fills the foreground. Wide angle macro is a small niche, and the lenses built for it often ask you to accept unusual compromises in exchange for that perspective.

A 75mm f/1.4 is a short telephoto that isolates a subject without forcing you to back across the room, and the Thypoch Simera 75mm f/1.4 brings that focal length to Leica M mount in an all-metal body. Because it's a manual focus rangefinder lens, plenty of people will adapt it to mirrorless cameras, which raises fair questions about how much performance survives the trip.

A 600mm prime that weighs about 1 kg and costs $3,698 reads like a list of compromises, and Sony's new 600mm f/6.3 asks you to give up aperture in exchange for a lens you can carry without a second thought. If you shoot birds or wildlife handheld, the gap between a lens you can hold for five minutes and one you can hold all morning decides how many chances you actually get.

Packing for a trip usually turns into a negotiation between the 35mm, the 50mm, and the zoom, and plenty of people settle it by bringing all three. Whether that extra glass earns its place in the bag affects how you shoot, how much you carry, and how many moments you actually catch.

In March 1942, the Acme photo agency sent a photographer to Naval Air Station Alameda for a story about what women should and should not wear around machinery. On March 24, he made a frame of a 20-year-old machine shop worker bent over a lathe, her hair tied back in a polka-dot bandanna.

For over a decade, Pixieset has built its name on gallery hosting and then expanded into photography business management with Studio Manager. Now it turns its head to tackling what happens in the gap between the shoot and the delivered gallery.

If you’ve ever been out exploring a place, especially one that has a lot of interesting subjects, you would know how having an organized and efficient bag can impact your output. These new accessories for the WANDRD ROGUE bags offer to take the user experience to a whole new level.

Photography has worked without a camera and without shooting. Generative images test what is left after that.

You spend twenty years building a photographic archive, then train a generative model on it. The model begins producing images that look unmistakably like your work. Are those images photography?

The way you set up your Lightroom Classic catalog decides how fast you can find a shoot from two years ago and how much work your next backup will be. Most people make that call in their first month with the software, long before they have enough photos to see how it plays out.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess.