Have you ever set up your lights, gone through the poses, gotten back to your computer, and realized you have taken some perfectly competent but uninspiring photos? If that is a situation you have recently found yourself in, check out this fantastic video tutorial that features an experienced portrait photographer sharing three different ways to reinvigorate your images.
I spent a few weeks testing the new Viltrox 75mm f/1.2 lens for Fujifilm, and in the accompanying article and video, I share my thoughts on one of the most exciting third party lenses on the market today.
We spend a lot of time working on perfecting our retouching technique when it comes to hair, skin, and eyes, but just like those aforementioned aspects, the lips are also a crucial part of the face, and as such, they deserve equal attention in the post-processing phase. This excellent video tutorial will show you the ins and outs of retouching lips in Photoshop to ensure your portraits are in tip-top shape.
Tutorials on using a 1-light setup for portrait photography are commonplace, and rightly so. There are several ways that a single light source can be positioned to create flattering lighting on a subject. You might think that switching to a 2-light setup would be twice as complicated. This isn’t the case. There are several 2-light arrangements that are easy to understand and quick to set up. Using 2 lights can make it easy for you to transition between a clean headshot and a dramatic portrait.
By far, one of the common retouching requests photographers receive when editing portraits is to lighten dark circles under the eyes. Thankfully, it is not an especially difficult problem to address, and this excellent video tutorial will show you everything you need to do to lighten those circles in a convincing and high-quality manner.
A lot of portrait photographers are scared of working with artificial lighting, but it is a skill that is well worth learning, as it will make you a more capable and versatile photographer and better enable you to realize all your creative visions (and those of your clients). If you are new to working with flash, check out this fantastic video tutorial that will show you a simple and highly effective one-light portrait photography setup.
In this article and the accompanying video, I will show you how to create four unique portrait looks using one light and v-flats.
Of all the things that go into making a compelling image, posing is perhaps the thing that photographers struggle with the most. If that is something you have trouble with, check out this fantastic video tutorial that will show you three easy posing techniques for when your subject is sitting on the ground or floor.
The nice aspect of learning things like camera settings and lighting is that these topics can often be objectively quantified. On the other hand, something like posing is a bit more nebulous and something that many photographers struggle with even when they have mastered other aspects of portrait work. If posing is something you are still working on learning, check out this fantastic video tutorial that will show you how to pose a full-body portrait when working with a non-model.
As a landscape and seascape photographer who also shoots surfing, I'm not too embarrassed to say that my understanding of indoor lighting setups is not where I want it to be. This video here is extremely helpful, especially if you'd love to get those gorgeously mysterious rim light shots.
Blurry pictures are a nightmare. When you simply have to recover detail on images you've taken, this is the video to watch. Photographer and author Glyn Dewis goes through three mainstream programs, Luminar Neo, On1 NoNoise AI 2023, and Topaz Sharpen AI, that he uses to evaluate and try to improve his blurry image.
There are myriad ways you can light your subject in portraiture, and whether you're jaded by your go-to setup, or overwhelmed as to where to start, this video can help you add some more styles to your arsenal.
Conventional wisdom in studio portrait photography tells us to avoid shooting portraits wide open. But in this video, I will show you why I shoot portraits wide open all the time, and you should try it too.
You can spend a lot of money on lights and modifiers for portrait photography, and while there are certainly reasons why professionals invest in expensive equipment, you can absolutely create professional-level portraits with the most affordable gear — even a shoot-through umbrella and speedlight. This fantastic video tutorial will show you everything you need to know.
When you think of portraiture, you might think of large, diffused light. However, there are lots of applications of hard light in portraiture, with beauty being just one genre. In this video, watch as Lindsay Adler creates stunning portraits with harsh lighting.
As a portrait photographer, learning how to work with artificial light will enable far more creative exploration and free you from needing to rely on certain times of day, locations, and conditions. The best place to start is with a single light. This great video tutorial will show you the ins and outs of working with a single speedlight and how to use it to create a professional-level portrait.
Approaching people on the street and asking for a portrait can feel uncomfortable — both for you as a photographer and for the person you’d like to photograph. Watch how one street photographer uses his experience to get some fantastic images.
Studio photographers are often admired for their lighting skills, and for good reason. Creating compelling portrait lighting is not only extremely difficult, but requires lighting gear, backdrops, and a shooting space. Editing can play either a small or large role in the final image. Have you ever wondered how much of what you see was created in camera, as opposed to in the editing room? In this article, I will show you some before and after images from my own studio work and lift the veil on my editing process.
The awesome thing about shooting portraiture in a city is that there are so many options for locations and looks, meaning you can easily create a large volume of worthwhile images in the span of just an afternoon. If you are feeling a bit overwhelmed by all the options and wondering what some of the best locations are, check out this fantastic video tutorial that will show you five of the best spots for your next shoot.
The 85mm focal length is a staple in photography, with many portrait photographers gravitating toward it. Is this new 85mm f/1.2 version the new king of portrait lenses?
Though it fell out of use for a while, the Fresnel lens has regained popularity for portraiture work, where it can provide a sharp and impactful light quality that is still flattering on the subject's facial features. If you have not used a Fresnel before and want to learn how to employ one to create compelling portraits, check out this fantastic video tutorial that will show you everything you need to know.
I have quickly become a big fan of the Sigma Contemporary lenses for Fujifilm X Mount. A few months back, I reviewed the Sigma 18-50mm f/2.8, a lens that delivers superb image quality and performance in an extremely small and well-constructed package. More recently, I had a chance to test the Sigma 56mm f/1.4 and 30mm f/1.4 on the Fujifilm X-T5, and I was once again impressed by the results.
There are a lot of common rules about portrait photography, but rules are meant to be broken, and one photographer shares how he does that in a meaningful way after shooting more than 100,000 portraits.
While many professionals employ the use of complex setups consisting of multiple lights, even just a single source can create vivid and compelling images when in the right hands. This excellent video tutorial will take you behind the scenes to show you how a photographer shot a striking series of full-body portraits using just one light.
As a headshot photographer, it's your job to make sure your clients look their best. However, taking the perfect studio headshot isn't just about lighting and composition. It's also about understanding your client's needs and making them feel comfortable in front of the camera.
Portrait photographers generally prefer focal lengths over 50mm. This is because these types of focal lengths help to produce a more flattering look. Personally, I find a 50mm lens to be slightly too wide and an 85mm lens just a tad too long. For this reason, I thought I'd compare two lenses that sit in-between these focal lengths.
In this video, I test the new Fujifilm X-T5 against the Canon EOS R5, which is my go-to studio camera. Originally, I intended only to compare the image quality of Fuji's new 40-megapixel cropped sensor against Canon's 45-megapixel full-frame sensor, but after using the X-T5 for a number of sessions in my studio I decided to make a friendly general comparison of the two cameras.
If you're a portrait photographer, you'll know the feeling of getting a new lens and going on your first portrait shoots with it. That feeling was strong for me over a decade ago and it's just as strong now!
While every portrait photographer should learn how to work with artificial light, available light is still a fantastic tool for a lot of applications and can be the better choice in a range of situations. Available light can be more versatile than you might suspect, and this excellent video tutorial five different scenarios that make for fantastic portraits.
It is the dream of many amateur photographers to be hired for celebrity photo shoots and high-status advertising gigs. What could be more exciting than photographing a famous singer in a large photo studio with stylists, digital techs, and assistants at your beck and call? Imagine how great it would be to see your photographs published on a magazine or album cover. Best of all, commercial jobs can pay well over $10,000 for a single day of work. Surely this is better than just photographing ordinary folk, right? Maybe not.
Photographing female models can be an exciting and creative process, but it's essential to approach it with professionalism and sensitivity. Here are some tips based on my own experience to help you get the best results during a photo shoot with a new model.
When starting out with off-camera flash, especially in portraiture, we don't always have access to a lot of high-tech or expensive strobes and modifiers. Here's a simple setup that will help you create stunning low-key rim lit images with very little equipment required.
Photographers who are new to working with artificial light often think that strobes always look distinctly different from natural light. And while it is true that you can shoot creative, highly stylized images that would not be possible with just sunlight, you can use strobes to emulate natural light to make subtle, natural looks. This excellent video tutorial will show you three off-camera flash lighting techniques that will allow you to create effective and compelling portraits.
If part of your business is capturing headshots, then this is for you. Even if you're thinking of adding it to your portfolio, it's worth checking these essential tips and tricks as, if you're a commercial photographer, you can up your customer's average spend by offering this essential service.
A new year brings thoughts of new beginnings and new opportunities. Resolutions are common this time of year. You undoubtedly have plans to join a gym this year, but why not also make a goal of working on a new photo project? There are several projects you might consider undertaking in 2023, ranging from those that require you to create something original each day to those that will be successful with a less frequent contribution on your part.
When it comes to portrait photography, you might think that you need complex multi-light setups in order to create professional images, and while these certainly have their place, you might be surprised by how much you can accomplish with just a single light. This excellent video tutorial will show you three creative and effective one-light setups for portrait photography.
When you are new to photography, it can feel like professionals know exactly what they want and how to achieve it, but that is how social media can be quite misleading. The truth is that professionals make mistakes all the time; in fact, they embrace them. This excellent video tutorial will take you behind the scenes of a photographer's portrait lighting process and show you how mistakes can lead you to a great final image.
A black and white portrait can be one of the most powerful ways to represent a person, but it takes more than just desaturating a color image to make an effective final photo. If you would like to learn how to do that, check out this fantastic video tutorial that will give you five tips sure to help you create better black and white portraits.
Do you think you know how to take good portrait photos? Here, a highly credentialed professional portrait photographer gives his top five tips for improving portrait images. How many of them do you use?
There are few better feelings than a great lens, a great model, and a great location. In this video, go behind the scenes with Mitch Lally as he roams an autumnal Tokyo taking portraits with a much sought-after Sigma prime.
Photographing male models can be a challenging but rewarding experience for a photographer. In order to create stunning and memorable images, it's essential to direct the model and guide them into confident poses that showcase their best features.
As the adage goes, “you have to run before you can walk.” This also applies to photography. Once you’ve learned how to consistently make a good image within your camera, what is the next step?
If you are new to working with artificial light, you might look at some of the complex multi-light setups seasoned professionals use and feel a bit overwhelmed or discouraged. However, you can absolutely make creative, compelling, and professional-level portraits with just a single light, and this neat video tutorial will show you one of the more unusual but effective ways of doing so.
The value of participating in non-commissioned projects in a photography career is very high, and photo competitions are a good example of that.
For decades, color slide film was the industry standard for commercial and editorial work, and the speed of the film was typically 64 or 100. It was standard practice for a portrait photographer to use a high-powered strobe to illuminate the subject. Today, a digital camera can produce clean images at high ISO settings and allows the photographer to forgo strobes and instead illuminate the subject using lower-power continuous light units.
