Before I had a Wacom, I seriously questioned the ability that a touchpad without a screen would have to improve my editing workflow. Also the screen-integrated models were way too expensive for me to consider at the time. Those of us that have them now, however, see them as an invaluable tool in our work — and it’s one we probably want to protect.
There aren't too many people in the f/0.95 club. Until fairly recently, it was a ludicrously expensive badge of honor, typically worn by Leica-toting physicians and hedge fund managers. After all, the legendary Leica Noctilux 50mm f/0.95 costs just shy of $10,000. Of course, there are some micro four thirds options. But those don't really count, do they? All that changed in April of 2014, when Mitakon announced their "SpeedMaster" 50mm f/0.95. After spending the better part of a month shooting it, I'm almost a believer... almost.
For almost 40 years, Tamrac has been producing bags aimed towards photographers who embraced the great outdoors. Their brand new collection of Anvil backpacks — which replaces the Expedition line — continues their tradition while making a number of exciting design choices that make this collection their best ever. In this review, I take a look at the Anvil Slim 15, which is sized for photographers who have entered the exploding mirrorless market, but shares the same look and feature set of the rest of the Anvil collection.
First, second, third, and fourth generations of several companies’ drones are now out on the market. But it’s only as we head into 2016 that the drone race is really on and that all the other possible players with their collectively interesting ideas who might have lagged behind a little are now crossing the halfway point. That race won’t end anytime soon, as the consumer drone market’s innovation is only picking up. I caught up with Vantage Robotics Co-Founder and CEO Tobin Fisher on a beautiful San Francisco morning on Crissy Field, where he let his company's new 4K drone, “Snap,” do just that.
The current king-of-the-hill 35mm, the Sigma 35mm f/1.4 A DC HSM, costs $900. That's not too shabby for a lens that absolutely dominates its "L" and high-end Nikon competition, which both cost significantly more. Canon and Nikon offer budget 35mm options: a f/2.0 IS and f/1.8G, respectively, both of which cost under $600 and are no slouches themselves. With the availability of extremely well performing 35mm lenses at the sub-thousand-dollar price point, why on earth would someone buy a slow (f/2.8) 35mm for $800?
Every now and then, it’s good to have a quick update to know what the biggest, fastest, or most affordable drives are for the money. We’re always on the go and in need of more storage, so portable hard drives go to the top of the list when new ones come out. Though it’s not that new, Western Digital’s newest and largest portable 3 TB, single-drive offering is still sometimes out of stock, but the 3 TB My Passport Ultra is certainly not alone in its segment.
Prior to the a7R II’s release, the Sony Alpha mirrorless lineup played as a group of ambassadors to the possibilities in the technology. Each had their own role in showcasing how mirrorless could do amazing things that matched or exceeded DSLRs. With the a7R II, Sony has released the camera that its competition was warned of, and ultimately did nothing about. It has taken away the asterisk next to the Alpha name and is ready to play ball with the other top brand’s professional cameras on all levels.
The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.
I’ve been a user of the original One Man Crew for many different videos. It’s ability to get elegant motion video clips have made it a go-to piece of gear for when I need my interviews to have an interesting look to them. When I heard that an updated version was being released, I was excited to see if a few issues were fixed. In this gear review, I'll break down what is fixed, and what left me wanting more.
I know. It’s another one of those dang camera bag reviews. It’s a bag and it holds a camera, why does there need to be a full on review? Well in this case, because Wotancraft is not a well-known name in the industry and there is not a ton of information out there about their products in comparison to other brands. Their Ranger bag is also really good looking. It’s fashioned after World War II military bags and is completely handmade. Plus, I’m a sucker for a good bag review.
It seems that every week a new camera bag hits the market, and while the majority are stylish and functional they all have one unifying trait. They all seem remarkably masculine in appearance. Whether this is a reflection on the industry of photography as a whole (seeing as men outnumber women) the fact of the matter is that there isn't a whole lot of selection for women... until now. Introducing, the Cologne camera bag/purse by Pompidoo.
Last month, the Portland-based Lensbaby announced a new mobile photography kit aimed at bringing their unique lens esthetics to the mobile platform. This new creative mobile kit includes two lenses and a magnetic kickstand. I had the opportunity to review it over the last few weeks.
The Feiyu 3-Axis Wearable Gimbal is a miniaturized version of Feiyu's handheld gimbals, offering motorized 3-axis stabilization in a compact, wearable form factor for the latest GoPro and similar action cameras. Designed with flexibility in mind, the FY-WG features 1/4"-20 threaded holes for horizontal, vertical, or inverted mounting onto a variety of support devices. It can also be used with any accessory that uses the standard GoPro three-prong mount, letting you capture all of the immersive action camera shots that you're accustomed to, but with full motorized 3-axis stabilization.
Ricoh recently refreshed their flagship Pentax K-3 DSLR camera with the Mark II version featuring an eye-catching bump in specs and abilities. These new additions, including built-in GPS, AstroTracer star tracking, and Pixel Shift Resolution in the $1,035 K-3 II are really pushing the meaning of “bang for your buck.” In particular, nature photography enthusiasts should really be paying attention to what Ricoh has created here. In this review I cover how the camera performs shooting nature, landscapes, and wildlife to determine if this feature-rich DSLR is an underrated trail boss that deserves a spot in your pack.
As photographers, we meet people that come from all over the world and that sometimes speak very exotic languages. This is great, and I absolutely love it. However, it sometimes is a problem. For example, I use to proof and deliver my images using a web gallery. I have tried many of them: SmugMug, Pass, Zenfolio, PhotoShelter, etc. Despite the simplicity of their design, some of my clients would just not understand how it works because they did not speak a single word of English apart from "hello". So I looked on the web for quite some time to find a solution, I finally found it a couple of months ago, it is called PhotoDeck.
Let’s be honest, there are a lot of advantages to using speed lights. They are light, portable and they run on batteries. Speed light modifiers that accompany them are also usually quite light and portable as well. But speed lights do have their draw backs and they can be a real pain to use when you encounter issues, such as a painfully slow recycle time between flashes and a lot less power then you need on a bright sunny day. If you have a love hate relationship with speed lights then this article might just have a solution for you.
Ultra wide-angle lenses are a staple for landscape photographers but most cannot accept a regular threaded filter due to their protruding front glass elements. As such, photographers need to use a filter box which clamps to the outside of the lens and holds a large glass filter in place. Thus far lenses like the well received Tamron 15-30mm f/2.8 have not had many options. That is until I got my hands on this new filter system from NISI.
When I first looked at placing my camera into the water I noticed that there was a lot of different options. The most practical and safe method was the big and very expensive dive housings that are used for scuba diving. The cheapest, most dangerous option was the little plastic zip lock bag-type housings that can be found on eBay for $100. I wanted something that would not break the bank, but would also be safe enough that I could put in an expensive DSLR plus a lens, and trust it would be safe. These stipulations are what brought me to the Outex underwater housing.
Venus recently released the KX-800 Twin Flash for macro photography which updates their previous KR-800 model. The new KX-800 model features stronger articulating arms that promise to hold their position better than before. In this review, macro photographer Thomas Shahan examines the Venus Twin Flash and goes over how to get the best results in real-world application.
The photo gear bag market is saturated with so many options of style and size that new products within this space really need to come out swinging with never-been-better looks and features in order to catch interest. The California-based company Booq, most known for their line of laptop bags and Apple product cases and covers, recently released the Python Catch shoulder-carry camera bag into this market. In this review I'll share my experience with the Python Catch and uncover what features it offers that separates itself from the competition.
Fujifilm's lineup of fast primes is what sets it apart in the world of mirrorless cameras. Starting with the amazing XF 35mm f/1.4, and following up with the XF 23mm f/1.4 and XF 56mm f/1.2, Fuji have continued to impress with their small, lightweight, fast, sharp primes. The XF 16mm f/1.4 (24mm equivalent field of view on full frame), long talked about, was released in May this year to the excitement of many Fuji shooters. But does it hold up to the other primes in Fuji's lineup?
It has always driven me insane that I had to stock multiple sets of softboxes that are largely identical but designed for use with either studio strobes (of a specific brand) or speedlights (via some sort of proprietary bracket). I even jerry-rigged some disconcertingly terrifying setups over the years involving a few Justin Clamps to mount my speedlights onto speed rings. Unsurprisingly, things didn’t go very well. That is until I discovered Cheetah Stand’s Speed Pro MKII bracket, which is a hefty bracket specifically designed to help you mount a small flash into Bowens-style speed rings.
Just last week, GoPro announced a new a camera in their ever-expanding lineup of action-POV cameras. The new camera is called the HERO4 Session, and as Doug Sonders posted last week, it's smaller and lighter than the previous series of HERO cameras. In this video review, WIRED's Brent Rose takes the Session out on several different adventures, comparing it to the HERO4 Silver along the way.
Have you ever just wanted to transform your iPad into a graphics tablet? The ex-Apple engineer duo at Astropad HQ have done just that, over WIFI or USB to boot. It’s also 30 percent off for the next 48 hours.
Elinchrom has been renowned for its light shapers for a long time. Many photographers have been using the Rotalux line of softboxes even on other, more expensive strobe brands such as Profoto or Broncolor. The Rotalux system was also known for its quick and simple way of assembling the boxes. A couple of months ago, the Swiss brand announced a new line of light shaping tools: the Litemotiv. They might look very similar to the Rotalux system, but they are very different in many ways. Elinchrom was kind enough to lend me both sizes — a 120 centimeter softbox and a 190 centimeter softbox — and give them a try. Here are my impressions after a month of use.
While looking for a new shoulder bag to use for family sessions and travel assignments, I came across Gura Gear's Chobe 19-24L expandable bag. It checked all the boxes I needed; airline carry-on-friendly, reasonably lightweight, laptop sleeve, configurable dividers, plenty of storage pockets, and room for things other than camera equipment. I have now taken it on several sessions here in Korea, and on my recent trips to Myanmar and Malaysia. For carrying a small kit, it has been a great bag. Here are my thoughts so far.
There are hundreds of 35mm film camera options out there. Everything from cheap drug-store point and shoots to beautiful, bespoke-feeling Leicas, to the Canon AE-1 hipsters wear around their necks with a guitar strap. The Nikon F100 is, without a doubt, one of the best 135 cameras out there and is, in my opinion, is the absolute best choice for a digital shooter to experiment with 35mm film.*
Several weeks ago, Fstoppers writer, Rebecca Britt reviewed the first volume of a fresh, captivating tutorial called Mastering Lighting. It's creator, Nick Saglimbeni, has an extensive background in both photography and cinematography and a great understanding of how to artistically light a scene.
A few weeks ago I introduced you to Elinchrom’s latest offering, the ELB portable strobe kit. Now that I’ve spent a few weeks shooting with it both on location and in the studio, I can finally tell you if it’s actually any good and whether it can compete with the newly released Profoto B2.
Anyone who likes to bring a light or two on-location knows the frustration of wanting soft, controllable light that won't weigh you down or break the bank. The Westcott Apollo Orb is, without a doubt, one of my favorite lighting modifiers. As you'll see below, the Apollo Orb has just about every feature you could ask for in its unique, somewhat-brolly-box-style design, all at a modest price point.
A couple of weeks ago I had a chance to shoot with the Broncolor Siros Monolights for the first time. Until now, my light of choice has been the Profoto D1. I, like many of you, have seen reviews on Broncolor's new monolight, and like many of you as well, have been a bit skeptical about their delve into competing with Profoto's D1 and B1 Series for the high-end monolight market. The Siros is available in two models, a 400W/s monolight and an 800W/s monolight, and for this shoot I used five Siros 800s. In this article I will give you my complete lighting setup, gear list, a retouching preview, and complete review of my experience with the Siros Monolight and BronControl app.
If you are one of the thousands of professional and amauter photographers in the industry at some point you’ve probably hit a creative rut in your work. It happens to the best of us. Lighting setups can quickly become repetitive and boring after shooting for several months. If you’re looking for some inspiration and instruction on how to kick-start your creative lighting skills I might have the perfect tutorial for you.
Flare has become a huge part of modern photography for how it can add both depth and excitement to an image. Many of us have resorted to manually creating lighting effects using Photoshop or by layering pre-made textures above our photos. Red Giant, however, looks to replace and augment this rather tedious process with Knoll Light Factory.
Since its first version, Photoshop has changed quite a lot. The functionalities it offers are greater now than ever before. But plugins are legion and for beginners it is hard to differentiate the ones that are truly useful and those that are just a waste of money. The Retouching Academy Beauty Panel has been around for a little while and was revamped very recently. I use it all the time when retouching but I get many questions about it. I am frequently asked if it is worth its price and if it makes my retouching any better. Here is my take on the panel, why I bought it, and above all, why I keep using it everyday.
The Sound Advice Workshop by MZed is one of those workshops that, until you go and attend it, you don’t realize just how important it is. The Sound Advice Tour does something I don’t know that anyone else is doing – offers up a wonderful, engaging in depth way to take from beginner to advanced audio practitioner and set you up to manage all your audio needs in a way that is informative, fun and rewarding
A little over a year ago, we were introduced to SmartAlbums from Pixellu. They helped photographers all over increase their productivity by allowing them to stop hating the process of designing albums. This year, they brought us a bigger and better product, and I got to use it first hand.
The world of fashionable photography bags isn’t unknown, but it’s not all that vast, either. As much as everyone might want to be fashionable, that desire simply isn’t as compatible with the necessary practicality we need from our gear... or is it? Can a bag look quite good while being quite practical? Or better yet, can a strict adherence to a bag’s fashion appeal aid its practicality? Is this bag even "fashionable"? The Filson McCurry Sportsman is certainly a "cool" bag. But as far as standing up to the test of practicality, we’re about to find out.
I'm not someone who is big into drones and flying cameras -- mostly because they take a lot of effort to learn how to fly. More importantly, there are typically many more things I'd rather spend my money on. Then I received an email from Antoine Balaresque, CEO of Lily Robotics, introducing me to Lily, and I threw all those reasons out the window.
There are few things that can boost your video production more than adding a smooth camera movement. One tool that every filmmaker needs to utilize from time to time is a camera crane. Recently we had the chance to test and use the Kessler Crane Pocket Jib Traveler, and I am convinced that it is one of the most portable and easy to use camera cranes on the market today.
Just a few weeks ago, Lowepro launched it’s first grab-and-go protective and customizable quadcopter drone storage system, the DroneGuard Kit. Lowepro’s solution is an interesting one in that you can adapt it for different devices combining organization, portability, and protection using it as a stand-alone kit, or as an insert with some of their other bags. Over the last two weeks I’ve been putting this bag through its paces on the streets of Chicago, as well as the in desert and dunes of Michigan. In my full review I’ll cover the features, price, build, aesthetics, and function of the DroneGuard to let you know just how they fit the current market.
Documentary photographers, fashion photographers, businessmen, housewives, househusbands, you, the world – everyone should know the name and works of Sebastião Salgado. His work has moved millions of social workers, doctors, politicians, economists, and photographers alike. His work moves humans because it is human. This might mark the second or third film review on Fstoppers, but it’s rare and extremely fortunate that we should have the ability to engulf the pleasures of what can easily be called the most soul-entrancing art documentary in the world that is “Salt of the Earth.”
In my experience, there are two kinds of great lenses. The first is the kind that gets the job done. These lenses are technically amazing and produce extremely high-quality images. The Sigma 35mm f/1.4 Art is one of those lenses. It produces sharp, high-contrast images time and time again. But it doesn’t really have character — a feeling — of its own. This brings me to the second category of great lenses. Every now and again a manufacturer produces something truly special, a lens with qualities that can't be measured on an MTF chart or in lab testing. Nikon's Nikkor 58mm f/1.4G is one of those lenses.
A few months ago I got an email from Rhino Camera Gear asking if I would like to beta test their new slider. I didn't really know anything about this product and I quickly forgot about it until it showed up at our office a few days ago. I had no idea that this would be one of the most impressive products I've tested in years.
Coming off of its previous reputation as an extreme budget brand when it came to DSLR lenses, Sigma has now had well over two years to fend off quality concerns with their restructured Global Vision lineup that began with the superb 35mm f/1.4 Art lens. Since then, Sigma’s Art-, Contemporary-, and Sport-series lenses have proven themselves better than or on par with their Nikon and Canon counterparts for far less capital; and the 24mm f/1.4 Art gives us no reason to suspect the new direction doesn’t have a clear vision to go global.
A new filtered camera app that allows groups of mobile photographers to share in a timed shootout was released for iOS last week by app developer Hipstamatic. The free app, called DSPO, creates a collaboration of images via gallery or slideshow that none of the contributors can view until the session expires. But in a mobile photography world ruled by Instagram, Snapchat, and VSCO Cam, does DSPO stand a chance?
There are three things in life that photographers will clear their schedules for: Apple announcements, Nikon/Canon late-night pre-orders for new flagship bodies, and Adobe product releases. So clear your schedules, guys and gals; because Adobe’s Lightroom 6 is here with more speed (FINALLY!), more features, and rich mobile integration.
As mentioned in my previous article reviewing “Street Photography: The Art of Capturing the Candid Moment” by Gordon Lewis, the digital photography book publisher Rocky Nook has recently released some new titles that I was eager to check out. In this article, I take a look at “The Art, Science, and Craft of Great Landscape Photography” by Glenn Randall which offers an interesting take on the classic genre. In addition to the review, we are giving away two copies of this book to two lucky Fstoppers readers.
Photography book publisher Rocky Nook recently released several new titles which join their now expansive library of topics. I checked out two of these new books, and in this article I review “Street Photography: The Art of Capturing the Candid Moment” by Gordon Lewis. In addition to the review, we are giving away two free copies of “Street Photography” to two lucky readers.
The popular Mac photography software company, Macphun, released a new application for the Mac that promises incredible noise reduction processing. Noiseless comes in regular and Pro versions, the latter of which include increased capabilities like RAW processing and included plug-in support for your other editing applications and both of which provide what is truly some of the best noise reduction available.
